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The Art Uytendaal story is one which starting at the end, sees Art, still ever competitive with his passion now being his racing pigeons and living in the most idyllic setting on the Mornington Peninsula in Victoria, Australia with his wife Kerry. We enjoyed a wonderful afternoon in the company of a legend, who reminisced about his time as one of Australia's top showjumpers - our best who was left off Olympic teams because he was deemed a professional at a time when professionals were not permitted to compete at Olympic Games. It was during our leisurely afternoon that we asked Art's wife Kerry whether she would write the "Art story" for us and she kindly agreed and also agreed to allow us to bring to our readers the images which went with the time. The following two part story comes from Kerry Uytendaal, herself an accomplished horsewoman: On the 10th January, 1956 Art arrived in Australia on a Dutch migrant ship, The Subayak. He was 25 years of age. His family in Breda, Holland was a large one. He was one of 17 children, his mother in fact had 21 pregnancies - but some were still born or died in infancy. The years were hard in Holland with the war in full swing and a family of this size. His father would keep a pig in the centre of a hay stack in hiding from the Germans, and Art would ride his bicycle to the hospital to pick up the food scraps to feed it. Despite these hardships he managed to keep the family together. The Uytendaal family was a very big equestrian family. His grandfather and great-grandfather were in the same business which provided riding instruction to clients, teaching the cavalry riders and providing horses for them. At this stage Indonesia was under Dutch control and many soldiers came to them for instruction. After the war his father Nico started showjumping again as this was suspended during the war years. It was a big family business and all the boys were expected to go into it, whereas, the girls were not allowed, despite one sister who would ride behind her father's back when he was away. This, of course, made the boys 'professional', and at that time the Olympic Games and international showjumping was strictly for amateurs. Having such a large family, two of the boys were allowed to be amateurs (the eldest). The others, if they wanted to compete at forthcoming Olympic Games would have to be out of the sport for 2 years and then they could get their amateur status back. |
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Art - pictured left - showjumping as a boy in Holland |
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Art decided
to visit the New Zealand Consulate regarding immigrating there, as he had
met a farmer at Rotterdam Show, who had showjumpers, and he offered him a
job riding them. On arrival
at Melbourne, he and a friend were picked up by Dutch immigrants (formerly
equestrian riders known to them). They were potato farmers in Gippsland. Within
hours they were picking potatoes and being paid 5 shillings per bag, which
was quite an amount of money then. When the
fencing was completed they decided on a trip to Queensland, gathered up their
other friends and headed, by train, to Tully. The next
day they were taken to the cane field that they had to cut - it had already
been burnt. They were shown how to cut and stack the cane on the train, so
divided themselves up to do the work. Nothing prepared them for this job.
Time had
rolled on and it was nearly time to return to Holland, without ever getting
to New Zealand, so he returned to Melbourne with a few weeks to spend before
the boat was to leave. |
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